Learn English with the classics
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Alice's Adventures in Wonderland (version 2)
Alice's Adventures in Wonderland tells the story of a girl named Alice who falls down a rabbit hole into a fantasy world populated by peculiar and anthropomorphic creatures. The tale plays with logic in ways that have given the story lasting popularity with adults as well as children. It is considered to be one of the most characteristic examples of the "literary nonsense" genre, and its narrative course and structure have been enormously influential, especially in the fantasy genre.
Alice's Adventures in Wonderland (dramatic reading)
This classic tale by Lewis Carroll has delighted children for generations. Alice falls down a rabbit hole and encounters a wide variety of strange and wonderful creatures in all manner of bizarre situations. Join Alice as she journeys through Wonderland, trying to make sense of what she finds there. This version is read dramatically, with different readers voicing the different characters.
Dracula
The classic vampire story by Bram Stoker revolves around a struggle between good and evil, tradition and modernity, and lust versus chastity. The author didn’t invent vampires, but his novel has so captured the public’s imagination that he is rightly considered their popularizer. Listen and you will meet not only the Count himself, but heroes Jonathan Harker and Abraham Van Helsing, plus an array of madmen, psychiatrists, and fair maidens who cross paths with the fanged menace.
War and Peace, Book 04: 1806
War and Peace is an epic novel by Leo Tolstoy, first published from 1865 to 1869 in Russki Vestnik, which tells the story of Russian society during the Napoleonic Era. It is usually described as one of Tolstoy's two major masterpieces (the other being Anna Karenina) as well as one of the world's greatest novels.
War and Peace offered a new kind of fiction, with a great many characters caught up in a plot that covered nothing less than the grand subjects indicated by the title, combined with the equally large topics of youth, age and marriage. While today it is considered a novel, it broke so many novelistic conventions of its day that many critics of Tolstoy's time did not consider it as such. Tolstoy himself considered Anna Karenina (1878) to be his first attempt at a novel in the European sense.
Great Expectations (Version 1)
This classic tale tells of an orphan, Pip, who through a series of strange circumstances first finds a trade as a blacksmith's apprentice and then learns that he has "great expectations" of a future inheritance from an anonymous benefactor. He soon learns to live the profligate life of a gentleman as he gradually sheds his associations with the gentle souls of his past, Joe (the blacksmith) and Biddy (a level-headed young lady). He throws his money at improving the prospects of his roommate and friend Herbert and his heart at an "ice princess" whose heart will never respond. But then an escaped convict from his distant past comes calling, and all Pip's hopes dissolve.
Persuasion (version 5)
Persuasion is a regency Cinderella-esque tale of a young woman, the beautiful Anne Elliot, who is persuaded from marrying the Naval officer of her heart. It is now almost nine years since she rejected him. Bonaparte has abdicated and England's sailors return home covered in glory. Fredrick Wentworth is now a rich and highly eligible sea captain and the two are curiously thrown together. Will their forgotten affection blossom anew? Or has the captain found another?
Hound of the Baskervilles, The (Version 2)
The Hound of the Baskervilles is the third of four crime novels by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes. Originally serialised in The Strand Magazine from August 1901 to April 1902, it is set largely on Dartmoor in Devon in England's West Country and tells the story of an attempted murder inspired by the legend of a fearsome, diabolical hound.
War of the Worlds, The
H. G. Wells wrote The War of the Worlds in 1898, when there was much speculation about life on the planet Mars. The book is considered to be one of the first science fiction novels. In the story, an English gentleman narrates the events of a violent and fast paced Martian invasion.
The frightening images of people fleeing from gigantic tripod machines and the prospect of life under Martian rule have served as a bottomless well of inspiration for popular culture. The novel has served as a template for many derivative or inspired works, including comics, countless books, a tv series, several films, a bestselling musical, and the famous Orson Wells broadcast. Overall, The War of the Worlds has become an early milestone in and inspiration for the invasion genre.
The novel demonstrates Wells' typical pessimistic outlook on human nature and offers a good deal of critisism on society and people's ignorance and vanity. The War of the Worlds can be read as an indictment of European colonial actions around the globe at that time - with which the injustice of the Martian invasion can be compared. Wells has since been credited with predicting quite a number of technologies, such as laser-like rays, industrial robot-like machines, and chemical-warfare.
Sorrows of Young Werther, The
The Sorrows of Young Werther (German, Die Leiden des jungen Werther, originally published as Die Leiden des jungen Werthers) is an epistolary and loosely autobiographical novel by Johann Wolfgang von Goethe, first published in 1774. The story follows the life and sorrows of Werther after he falls desperately in love with a young woman who is married to another. A climactic scene prominently features Goethe's own German translation of a portion of James Macpherson's Ossian cycle of poems, which had originally been presented as translations of ancient works, and was later found to have been written by Macpherson.
Noiseless Patient Spider, A
Volunteers bring you eight different readings of Walt Whitman’s A Noiseless Patient Spider, a weekly poetry project.
Don Juan, Canto 5
Juan, captured by Turkish pirates and sold into slavery is bought by a beautiful Princess as her toy-boy. Dressed as an odalisque, he is smuggled into the Sultan's harem for a steamy assignation. Unbelievably, Byron's publisher almost baulked at this feast of allusive irony, blasphemy (mild), calumny, scorn, lesse-majeste, cross-dressing, bestiality, assassination, circumcision and dwarf-tossing. This was the last Canto published by the stuffy John Murray (who had, however, made a tidy fortune on the earlier parts of the Epic). Although Byron's mood starts, after this, to grow darker and his bitterness at English hypocrisy to grow sharper, his discursive comedy and precise and intriguing rhyme is rarely better than in Canto V.
Just So Stories (version 3)
These whimsical short stories offer fanciful answers to a dozen of childhood's favorite "why" and "how" questions. With their generous sprinkling of nonsense words as well as a delightfully rhythmic storytelling feel, they seem to have been written to be read aloud.
Murders in the Rue Morgue, The
The Murders in the Rue Morgue" is a short story written by Edgar Allan Poe in 1841. Poe referred to it as a "tale of ratiocination" featuring the brilliant deductions of C. Auguste Dupin; it is today regarded as one of the first detective stories and is almost certainly the first locked room mystery.
Rilla of Ingleside
Written in 1921, this is the final book in L. M. Montgomery's Anne of Green Gables series. Set during World War I, it shows the courage and endurance of the sisters, mothers and wives (and brothers and fathers) left to tend the home front. The main focus of the book is on Anne and Gilbert’s youngest daughter, Rilla.
1601: Conversation, as it was by the Social Fireside, in the Time of the Tudors
"1601," wrote Mark Twain, "is a supposititious conversation which takes place in Queen Elizabeth's closet in that year, between the Queen, Ben Jonson, Beaumont, Sir Walter Raleigh, the Duchess of Bilgewater, and one or two others ... If there is a decent word findable in it, it is because I overlooked it." 1601 depicts a highfalutin and earthy discussion between the Queen and her court about farting and a variety of sexual peccadillos, narrated disapprovingly and sanctimoniously by the Queen's Cup-Bearer, an eyewitness at "the Social Fireside."